Classic Album covers : Fair Warning - Van Halen

Fair Warning is the fourth studio album by Van Halen, released in April 1981. It represented a change in direction for the band, from sunny rock to a more sombre and threatened perspective. This tone was set by the album’s opening track ‘Mean Street’, and was continued through a song-cycle filled with dark subject matter and disillusionment

The overall theme extended to the record’s haunting cover art, which depicted some poor guying getting pummeled in the face, along with other scenes of aggression, pain and torture

The original artwork is from a grotesque painting by Canadian artist William Kurelek (1927-1977). Raised on a prairie farm in midwestern Canada, he had experienced such a brutal childhood that he had become extremely withdrawn, eventually retiring into a private world of weird fantasies. In one of these, he imagined that if he cut off the flesh of his arm (lower right chamber) he would be shocked back to human feelings. When he actually made some cuts on his arm, he was admitted to a hospital for psychiatric treatment. There, the 26 year old was given treatment for schizophrenia. Additionally, the sympathetic doctors gave Kurelek a room to pursue his artistic endeavors, a passion deemed helpful by his therapists. It was during this stay that he created a painting he called “The Maze”, a harrowing portrayal of his tortured youth in Canada during the Great Depression

Kurelek had great difficulty talking to people. Yet when he began to paint, the images of his torment poured out with remarkable clarity. In ‘The Maze’, he portrayed himself lying in a field,  his skull cut open to reveal the painful memories of his past and the morbid fantasies of his present state. In the strange self portrait, the artist’s open skull is divided like the maze of a psychologist uses to observe a rat’s behavior. In the central compartment lies the rat, the artist himself, exhausted in defeat after entering each chamber. The various chambers depict bitter incidents in the artist’s childhood, his disillusion (The ‘Museum of Hopelessness’) and his cynicism (dancers seen as puppets). His doctors are seen in one chamber as crows tormenting a helpless lizard while in another chamber the scrutinize the artist in a test tube

Once the imagery of his illness emerged, he could step back from the canvas and talk to his doctor about his torment. In time he recovered and married. His subsequent paintings had a much less morbid outlook, none more so than his follow up, entitled ‘Out Of The Maze’, which reflects a pastoral countryside, as well as an artist no longer as deeply disturbed, with his wife and children enjoying a happy family picnic. However, all is not as idyllic as a first glance might suggest. An empty, open skull in the bottom left hand corner is a reminder of the psychological prison from which the artist has escaped and the impending storm on the far right horizon hints at Kurelek’s premonition that the world was heading for a nuclear holocaust

When the painting was used for the Fair Warning album cover, it was severely cropped and modified, ostensibly to highlight the most striking images inherent in the work. Sadly, due to price constraints at the time of the record’s release, a single sleeve album jacket was used, whereas a gatefold-type cover would have greatly enhanced the details found in the work

The album was listed by Esquire magazine as one of the 75 Albums Every Man Should Own

Did you enjoy this post?

If so, would you please consider sharing it with the world

Leave a Reply

Default User

Your Name

August 23, 2012

* Name, Email, and Comment are Required